RACHEL LANGLEY
HARD SCENERY
LARGE SCALED BOOKS- LIGHT BOXES
DIRECTOR: PIPER GOODEVE
SCENIC DESIGN: BRIAN DUDKIEWICZ
SCENIC CHARGE ARTIST: RACHEL LANGLEY
ASST. SCENIC CHARGE ARTIST: CHRISTINA MCCORMICK
SCENIC ART INTERNS: JESS NOTARIUS, CHRISTINA COZAD
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PROCESS: Spines + pages lit up to simulate marquee lights, and various parts of titles lit up.
-Created pounces for all covers and spines.
-Painted all spines and pages as tranclucencies on muslin.
-wrapped on Sono tube to get curve- pounces used to create light boxes.
-Covers skim coated, primed, based
-used cut rollers for texture w/ glazes
-used pounces, details hand painted
-sealed x2 w/ flat
-pages were muslin wrapped on luan (some with cut outs)
-used wash w/ cut chip brush (basically graining) for pages
AGED WALLS AND TILE FLOOR
ONCE
DIRECTOR: MICHAEL BARESSE
SCENIC DESIGNER: MEREDITH RIES
SCENIC CHARGE ARTIST: EMILY ROSENCRANTZ
ASST. SCENIC CHARGE ARTIST:RACHEL LANGLEY
SCENIC ART INTERN: BECCA NIPPER
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PROCESS:
WALLS: Prime, Base, Tape out, brush on glazes/water, sponge and rag for continued aging and distressing
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FLOOR: Prime, base light grey, rag roll grey and white, lay out grid for green lines, base green lines, rag roll green lines with light green, line every three inches both directions with FEV, stamp tiles, heavier on first pass with darker tinted colors, lighter on second pass with desired colors to create dimension, seal whole deck, distress and create "beer stains" with shellac
ABSTRACT SHADOW FLOOR AND WALLS
WEST SIDE STORY
DIRECTOR: TIM FORT
SCENIC DESIGNER: RUSSELL PARKMAN
SCENIC CHARGE ARTIST: RACHEL LANGLEY
ASST. SCENIC CHARGE ARTIST: BECCA NIPPER
SCENIC ART INTERN: BROOKE STURDIVANT
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PROCESS:
Prime, base, measure and snap lines, paint in brush strokes (meant to have rough sketchy feel, as if one long quick brush stroke), paynes grey and black sprays, seal semi-gloss (floors) and flat (walls)