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HARD SCENERY

Tollbooth

LARGE SCALED BOOKS- LIGHT BOXES
 

DIRECTOR: PIPER GOODEVE

SCENIC DESIGN: BRIAN DUDKIEWICZ

SCENIC CHARGE ARTIST: RACHEL LANGLEY

ASST. SCENIC CHARGE ARTIST: CHRISTINA MCCORMICK

SCENIC ART INTERNS: JESS NOTARIUS, CHRISTINA COZAD

PROCESS: Spines + pages lit up to simulate marquee lights, and various parts of titles lit up.

-Created pounces for all covers and spines. 

-Painted all spines and pages as tranclucencies on muslin.

-wrapped on Sono tube to get curve- pounces used to create light boxes. 

-Covers skim coated, primed, based

-used cut rollers for texture w/ glazes

-used pounces, details hand painted

-sealed x2 w/ flat

-pages were muslin wrapped on luan (some with cut outs)

-used wash w/ cut chip brush (basically graining) for pages

Once floor and walls

AGED WALLS AND TILE FLOOR

ONCE

DIRECTOR: MICHAEL BARESSE
SCENIC DESIGNER: MEREDITH RIES

SCENIC CHARGE ARTIST: EMILY ROSENCRANTZ

ASST. SCENIC CHARGE ARTIST:RACHEL LANGLEY

SCENIC ART INTERN: BECCA NIPPER

PROCESS:

WALLS: Prime, Base, Tape out, brush on glazes/water, sponge and rag for continued aging and distressing 

FLOOR: Prime, base light grey, rag roll grey and white, lay out grid for green lines, base green lines, rag roll green lines with light green, line every three inches both directions with FEV, stamp tiles, heavier on first pass with darker tinted colors, lighter on second pass with desired colors to create dimension, seal whole deck, distress and create "beer stains" with shellac

WSS floor and walls

ABSTRACT SHADOW FLOOR AND WALLS

WEST SIDE STORY

DIRECTOR: TIM FORT
SCENIC DESIGNER: RUSSELL PARKMAN

SCENIC CHARGE ARTIST: RACHEL LANGLEY

ASST. SCENIC CHARGE ARTIST: BECCA NIPPER

SCENIC ART INTERN: BROOKE STURDIVANT

PROCESS:

Prime, base, measure and snap lines, paint in brush strokes (meant to have rough sketchy feel, as if one long quick brush stroke), paynes grey and black sprays, seal semi-gloss (floors) and flat (walls)

Shakuntala floor